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Village by the Sea in Brittany (c. 1880) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS
Village by the Sea in Brittany (c. 1880) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Village by the Sea in Brittany (c. 1880)

Odilon Redon
Technique: Giclée quality print
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Venture into the tranquil essence of Odilon Redon's masterpiece, "Village by the Sea in Brittany." Painted around 1880, this captivating work exemplifies Redon's unique ability to blend reality with a touch of the ethereal.The painting features a serene seascape set against a quaint village backdrop. The gentle interplay of natural light is masterfully rendered, casting a warm glow over the stone houses of the village. Redon's use of color captures the clear blue of the sea and the vivid yet earthy tones of the village structures, showcasing his skillful manipulation of hue to evoke mood and atmosphere.Particularly interesting in this painting is the subtle yet effective contrast between the peaceful village and the vast, expansive sea, suggesting a narrative of daily life continuing in the embrace of nature’s enduring beauty. Each brushstroke conveys both the quietude of the village life and the timeless, ever-changing nature of the sea.This work invites viewers to reflect on the harmony between land and water, humanity and nature, providing a soothing repose from the hustle and bustle of modern life.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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