Le pavot noir

Technique: Giclée quality print
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More about this artwork

Dive into the rich and mystical world conjured by Odilon Redon in his painting "Le pavot noir" (The Black Poppy). Known for his unique blend of symbolism and surrealism, Redon's work captivates viewers with its dream-like quality and vivid use of color."Le pavot noir" features a lush, vibrant bouquet of flowers bursting forth from a serene green vase. The composition is alive with a variety of florals, each rendered in a spectrum of deep and vivid colors against a warmly muted background. What sets this painting apart, strikingly so, is the prominent black poppy that anchors the arrangement. Its dark petals, with a mysteriously glowing center, draw the eye amidst the surrounding flurry of colors, suggesting themes of mystery and transcendence.The viewer might also notice the subtle interplay of light and texture which gives the painting a near-ethereal feel; this is characteristic of Redon's approach, where the line between the real and the imagined blurs beautifully. Each brushstroke contributes to a sense of depth and emotion, making the painting an exploration not just of color, but of feeling and symbolism."Le pavot noir" is not just a visual feast; it is a doorway into the depths of the human psyche, exploring themes of darkness, beauty, and the unknown. This piece encourages us to look beyond the surface and find the hidden depths in the natural world and within ourselves.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

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If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.