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And I Saw an Angel Coming Down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand (1899) reprodu...
And I Saw an Angel Coming Down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand (1899) reprodu...

And I Saw an Angel Coming Down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand (1899)

Odilon Redon
Technique: Giclée quality print
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In the masterful lithograph by Odilon Redon, titled "And I Saw an Angel Coming Down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand" (1899), we are met with a poignant mixture of darkness and revelation. Redon, a symbolist artist, here captures a dramatic biblical scene with his distinctive approach to theme and texture.The artwork portrays an angel descending from the heavens, rendered in high contrast and richly textured blacks and grays. The angel, depicted with large, sweeping wings and a somber expression, firmly grasps a heavy chain that loops dramatically around its form. This chain is a critical element of the narrative, suggesting the weighty responsibility bestowed upon the angel. Additionally, the angel holds a key, symbolizing access or control over something powerful and potentially dangerous.Redon's use of shadow and light not only emphasizes the ethereal quality of the angel but also sets a mood that is both foreboding and awe-inspiring. The minimalistic use of detail in the background allows the viewer to focus entirely on the figure and its symbolic objects—the key and the chain—evoking a deep contemplation of the invisible forces and deep mysteries that govern existence.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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