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Maurice Denis (1903) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS
Maurice Denis (1903) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Maurice Denis (1903)

Odilon Redon
Technique: Giclée quality print
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Delve into the introspective world of portraiture with Odilon Redon's intricate depiction of Maurice Denis, rendered in 1903. This remarkable drawing captures the essence of Denis, a fellow artist and contemporary, with a striking profile view that highlights the thoughtful and serene expression often associated with him. Redon's mastery in handling nuanced shading and delicate lines is evident, bringing forth not just the physical likeness but also the contemplative soul of Maurice Denis.This piece stands out as a testament to Redon's ability to convey deep personal and emotional states through the simplicity yet profound complexity of black and white sketches. It provides viewers an intimate glimpse into the quiet strength of Maurice Denis, making it a significant work for both enthusiasts of Symbolist art and admirers of portraiture.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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