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Mon Enfant (My Child) (1892) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS
Mon Enfant (My Child) (1892) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Mon Enfant (My Child) (1892)

Odilon Redon
Technique: Giclée quality print
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"Mon Enfant" (1892) by Odilon Redon presents a tender and delicate portrayal of a child, capturing the innocence and serene contemplation often seen in young faces. This lithograph, distinguished by its soft, sketch-like quality, uses subtle gradations of light and shadow to mold the features of the child, lending a sculptural depth to the work. The gentle rendering of the child's profile, with meticulously drawn curls and softly closed eyes, evokes a sense of peacefulness and introspective calm.Redon, known for his unique blend of symbolism and dream-like imagery, here shifts towards a more realistic representation, yet retains a touch of the ethereal. In the absence of a vivid color palette, the focus is drawn entirely to the form and the emotion conveyed by the slight, almost imperceptible, downward gaze of the child. "Mon Enfant" invites viewers to pause and reflect, possibly reminiscing about the purity of childhood or the fleeting nature of youth.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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