The Bucintore Returning to the Molo on Ascension Day (1727 - 1729)

Technique: Giclée quality print
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More about this artwork

Delve into the vibrant spectacle of the Venetian celebration as captured by the masterful Canaletto in his painting "The Bucintoro Returning to the Molo on Ascension Day," crafted between 1727 and 1729. This magnificent artwork showcases the grandeur of Venice on a significant day in its cultural calendar, Ascension Day, when the city exudes an extraordinary blend of solemnity and festivity.In this stunning scene, the eye is immediately drawn to the Bucintoro, the opulent state barge of the Venetian doges, as it makes its glorious return to the Molo—the principal waterfront of Venice. Adorned with rich decorations and enveloped in vivid reds, the barge is a symbol of Venice’s wealth and power. It is surrounded by a myriad of boats and gondolas, each brimming with elegantly dressed figures, creating a dynamic and bustling atmosphere.The painting’s background features iconic Venetian architecture, with the Doge's Palace and its Gothic flourishes standing prominently. Adjacent to it, the towering Campanile and the elegant columns of Saint Mark and Saint Theodore watch over the scene. This impeccable architectural rendering not only reflects Canaletto's keen eye for detail but also his profound love for his city.Canaletto's use of light and color captures the shimmering reflections on the water and the vivid blue of the sky, contrasting beautifully with the architectural and ceremonial grandeur. The painting invites viewers to experience a day of celebration, pomp, and civic pride, offering a window into the soul of Venice during one of its most picturesque moments.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.