Offering the Panal to the Bullfighter (1873)

Technique: Giclée quality print
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More about this artwork

"Offering the Panal to the Bullfighter" (1873) by Mary Cassatt is a captivating painting that demonstrates her remarkable skill in capturing human expression and cultural subtleties. This piece portrays a lively moment shared between a bullfighter and a woman, set against a nondescript, dark background which directs the viewer's focus onto the subjects.The bullfighter, dressed in a traditional, richly adorned "traje de luces", exudes a sense of charismatic elegance. His costume, glittering with embellishments and vibrant hues of red and purple, contrasts strikingly with the subdued tones elsewhere in the painting. His face, with a hint of a smile and engaging eyes, expresses a relaxed confidence as he interacts with the woman beside him.The woman, attired in a traditional Spanish dress that incorporates floral lace patterns and intricate embroidery, is shown offering a glass to the bullfighter—a gesture known as offering the 'panal', a moment of hospitality and camaraderie. The clarity and detail in her features and attire reflect Cassatt’s focus on the roles and expressions of women, a common theme in her work.In this painting, Cassatt not only explores interpersonal dynamics but also delves into the traditional cultural practices, making "Offering the Panal to the Bullfighter" not just a display of artistic expertise, but also a window into the social and cultural fabric of the time.

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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.