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Susan on a Balcony Holding a Dog (verso) (c. 1883) reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
Susan on a Balcony Holding a Dog (verso) (c. 1883) reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Susan on a Balcony Holding a Dog (verso) (c. 1883)

Mary Cassatt
Technique: Giclée quality print
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Explore the gentle charm of Mary Cassatt’s sketch “Susan on a Balcony Holding a Dog (verso)” from circa 1883, a piece that beautifully encapsulates the serene moments of domestic life. This pencil drawing highlights Cassatt’s dexterity in capturing the intimate bonds between humans and their pets, as well as her acute ability to depict the textures and fine details of clothing and surroundings.The artwork features a woman, presumably Susan, seated comfortably on a balcony. She is elegantly dressed in a period outfit adorned with floral patterns, and her hat, a striking element of her attire, lends an air of grace and style typical of the late 19th century. Susan’s gaze is directed downwards towards a small dog she cradles gently in her lap, suggesting a moment of quiet contemplation and companionship.The background lightly sketched reveals a faint outline of a pastoral landscape, possibly indicating the serene environment outside her balcony. This setting not only provides a sense of place but also enhances the tranquil mood of the scene.Mary Cassatt’s work is often celebrated for its emphatic portrayal of women and their private lives. In this drawing, she captures the simplicity and beauty of everyday moments.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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