Gathering Fruit (circa 1893)

Technique: Giclée quality print
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More about this artwork

The painting "Gathering Fruit" by Mary Cassatt, painted around 1893, is a vivid portrayal of domestic life and gentle femininity that are hallmarks of Cassatt's artistic style. This artwork features two figures, likely a mother and her child, engaged in a serene moment of collecting fruit. The woman, dressed in a pale blue gown adorned with a delicate pattern, is reaching upwards, presumably towards a fruit-bearing branch not visible in the frame. Her posture and the stretch of her arm suggest a moment of gentle exertion balanced by grace.Beside her, a younger girl in soft pink looks on with interest, her body language expressing attentiveness and perhaps learning from the older woman's actions. The girl's gaze and the way she holds her hands demonstrate a quiet anticipation or perhaps admiration for the task at hand.The setting is rustic yet picturesque, with a backdrop of rich green foliage that cascades over a wooden ledge or fence, suffusing the scene with a natural, organic feel. The use of light and texture in the painting accentuates the simplicity and the everyday beauty of the moment, reflecting Cassatt's focus on the intimate bonds and daily activities within the private sphere of women's lives.Mary Cassatt, an American painter and printmaker, was known for her perceptive depictions of women and children in everyday settings. Here in "Gathering Fruit," she captures not just a moment but an ethos of nurturing and togetherness, themes that resonate deeply throughout her body of work.

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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.