Campo Sant’Angelo, Venice (1730s)

Technique: Giclée quality print
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More about this artwork

The painting "Campo Sant’Angelo, Venice" created by Canaletto in the 1730s captures a serene and picturesque moment in the bustling life of Venice. This exquisite artwork showcases Canaletto's unparalleled skill in depicting light and architecture, presenting a vivid tableau of everyday Venetian life in the eighteenth century.The canvas is dominated by the elegant tower of the Santo Stefano church, which pierces the sky with its slender form and pointed spire, acting as a focal point around which the scene unfolds. Surrounding the square are a selection of stately buildings and palazzos, rendered with meticulous attention to detail, showcasing the variety in Venetian gothic and renaissance architectural styles.The foreground of the painting is animated with figures engaged in daily activities, providing a glimpse into the social fabric of the time. Some individuals are depicted chatting in groups, others going about their business, and a few elegantly dressed aristocrats are seen promenading across the square. Various elements like the well in the center of the square and the scattering of market carts and ladders add a touch of daily Venetian commerce and maintenance to the scene.Canaletto's masterful use of light bathes the entire scene in a warm, soft glow, enhancing the textures of the buildings and cobblestones. The artist's perspective not only captures the architectural beauty of Venice but also its vibrant atmosphere, making "Campo Sant’Angelo" not just a painting, but a portal to another time.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.