Béatrice (1897)

Technique: Giclée quality print
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More about this artwork

The ethereal work titled "Béatrice," crafted by the distinguished French symbolist painter Odilon Redon in 1897, captures the essence of its subject in a remarkably subtle and tender manner. This artwork steps away from the vivid colors and distinct outlines often prevalent in romantic and symbolist art; instead, it offers a delicate exploration of form and emotion through a dreamlike, almost ethereal depiction.In "Béatrice," Redon employs a soft palette of whites and yellows, nearly blending the subject with the background to create an evocative and almost dissolving figure. The profile of a woman emerges gently from the almost blank canvas, defined more by the absence of strokes than by their presence. Her contours are suggested rather than detailed, inviting viewers to engage their imagination to complete her visage.This painting is not just a visual experience but also a poetic invocation. Béatrice's serene profile and demure expression evoke a sense of quiet introspection and melancholy. The minimalistic approach enhances the mystique and allure of the painting, encouraging a personal connection and interpretation by each viewer.Reflective of Redon's fascination with the invisible and the unspoken, "Béatrice" serves as a testament to his ability to convey deep emotion and narrative through minimalistic yet powerful artistic expressions.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.