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Le Satyre au cynique sourire (The Satyr with the cynical smile) (1883) reproduction of painting by Odilon Redon. ALL GICLEE P...
Le Satyre au cynique sourire (The Satyr with the cynical smile) (1883) reproduction of painting by Odilon Redon. ALL GICLEE P...

Le Satyre au cynique sourire (The Satyr with the cynical smile) (1883)

Odilon Redon
Technique: Giclée quality print
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"Le Satyre au cynique sourire" (The Satyr with the Cynical Smile) is a compelling lithograph by French Symbolist artist Odilon Redon, created in 1883. This evocative piece features the bust of a satyr, traditionally known in mythology as a creature that is part man, part beast, and often symbolic of wild, unbridled nature and human desires. Redon’s interpretation, however, brings an atypical and profound twist to the satyr’s imagery.The satyr in this artwork prominently displays a cryptic smile that holds a mix of knowingness and mischief, giving the viewer an impression of a cynical amusement. This expression, paired with the direct and intense gaze of the satyr, invites the audience to ponder what deeper meanings might lie behind those eyes. The texture and detail in the drawing add to the intensity, with fine, dark lines creating a dynamic and almost pulsating appearance on the figure's skin, emphasizing its mythical quality.Redon's work often delved into the area of the undefined and the mystical, pulling away from the conventional to explore realms of the mind and spirit. "Le Satyre au cynique sourire" is a brilliant example of his mastery in using fantastical elements to probe the darker and more mysterious aspects of human emotion and psychology.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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