The Headhunter and His Family (c. 1870)

Technique: Giclée quality print
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More about this artwork

"," a compelling sketch from circa 1870, channels the enigmatic and often surreal artistry of Odilon Redon—one of the pivotal figures in the Symbolist movement. At first glance, Redon presents us with a central, bald figure drawn with sinewy precision. This figure, poised beside a disembodied skull, bears an intense and ambiguous expression that seems both introspective and detached.What is particularly striking about this piece, aside from the mysterious subject matter, is the use of abstract, tangled lines that emerge from and surround the primary subject. These lines may suggest some form of spiritual energy or a chaotic force of nature, oscillating between order and disarray. Such artistic techniques propel the viewer into a realm where the physical realities meet the profound depths of psychological landscapes.Despite the title, "The Headhunter and His Family," the visual elements that would clearly link the imagery to a family are minimal or can be interpreted as metaphorical, leaving much up to the audience’s imagination. The skull, a grim reminder of mortality, might also represent the past conquests or burdens of the headhunter.Odilon Redon's work here is an intricate puzzle both haunting and deeply symbolic, reflecting his knack for capturing the unseen forces that stir within the human psyche.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.