Piazza San Marco from the Southwest Corner, with the Procuratie Nuove on the Right (ca. 1724–80)

Technique: Giclée quality print
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More about this artwork

Titled "Piazza San Marco from the Southwest Corner, with the Procuratie Nuove on the Right," this enchanting work by the esteemed Venetian artist Canaletto depicts one of the most iconic public squares in the world during the 18th century. Created approximately between 1724 and 1780, Canaletto's mastery in capturing the essence of Venice is evident in the meticulous detail and atmospheric perspective of this piece.The painting presents a lively scene set in Piazza San Marco, the heart of Venetian social and religious life. To the right, we see the majestic stretch of the Procuratie Nuove, characterized by its classical architecture. The elongated arcade, detailed with precision, draws the viewer's eye towards the Basilica of San Marco in the background. This grand religious edifice, renowned for its opulent design and ornate decorations, looms gracefully under the subtle hues of the sky.Canaletto’s artistry shines in his depiction of light and shadow, employing them to create depth and to highlight the bustling nature of the square. Figures clad in contemporary 18th-century attire animate the scene, engaging in everyday activities that suggest a snapshot of Venetian life. Some converse eagerly, others stroll leisurely, while a few figures are depicted in moments of rest, adding a realistic and human touch to the grandiose setting.A dynamic representation of Venetian architecture and daily life, this artwork not only portrays the physical beauty of the city but also encapsulates a moment in time, reflecting the vibrancy and cultural richness of Venice during the height of its splendor.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.