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Saint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices) (1896-1900) reproduction of painting by Odilon Redo...
Saint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices) (1896-1900) reproduction of painting by Odilon Redo...

Saint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices) (1896-1900)

Odilon Redon
Technique: Giclée quality print
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Exploring themes of temptation and spiritual struggle, "Saint Anthony and the Two Temptresses" is a compelling lithograph by the eminent symbolist artist Odilon Redon. Created between 1896 and 1900, this artwork plunges viewers into the intense narrative of Saint Anthony's trials.The composition is stark and haunting, centered on the figure of Saint Anthony, who is depicted in an almost crucifixion-like pose, suggesting both suffering and redemption. His body is taut as he seems to be resisting the temptations thrust upon him. To his right, a notably drawn veiled figure stands—an embodiment of temptation with her direct gaze and ethereal form—conjuring a sense of the mystical and forbidden.Redon's mastery of lithography is evident in the intriguing textures and contrasts, enhancing the ethereal and dream-like quality that marks much of his work. The choice of sparse background focuses attention on the emotional intensity of the figures, inviting viewers to reflect on the themes of virtue and vice, torment and tranquility."Saint Anthony and the Two Temptresses" not only captures a moment of moral conflict but also invites contemplation on deeper existential themes, characteristic of Redon's symbolist approach.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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