Closed Eyes (1890)

Technique: Giclée quality print
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More about this artwork

We invite you to delve into the serene and introspective world of Odilon Redon's painting, . Created in 1890, this piece exemplifies Redon's unique ability to blend the ethereal with the real, creating a captivating, dream-like atmosphere that encourages personal reflection and emotional depth.features a portrait of a figure with serene, closed eyes, seemingly lost in contemplation or in the midst of a dream. The figure emerges from the canvas with a soft and subtle execution, characterized by a gentle handling of tone and form. The predominant use of muted colors, primarily soft grays and browns, contributes to a tranquil and almost mystical quality, leaving the viewer with a sense of peacefulness and calm.The background of the painting is minimalistic, hinting at a light source or perhaps a simple landscape, which helps to focus our attention solely on the figure. The brushwork is delicate, suggesting not just physical tranquility, but a depth of inner stillness as well.This work is a beautiful example of Redon's transition from graphic arts to pastels and oils, marking a period where his focus shifted more towards the symbolic and philosophical. invites us to pause and ponder, perhaps to close our own eyes and explore what visions lie in the quietude of our minds.This painting is a timeless reminder of the power of introspection and the beauty of a moment of peace.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.