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Piazza San Marco (late 1720s) reproduction of painting by Canaletto. ALL GICLEE PRINTS
Piazza San Marco (late 1720s) reproduction of painting by Canaletto. ALL GICLEE PRINTS

Piazza San Marco (late 1720s)

Canaletto
Technique: Giclée quality print
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"Piazza San Marco" is an exquisite oil painting by Giovanni Antonio Canal, better known as Canaletto. Painted in the late 1720s, this artwork captures the bustling life of Venice's most renowned public square, framed by the impressive architecture that marks the city's rich history.The painting presents a vivid view of the Piazza San Marco, showing detailed and lifelike representations of the Basilica of San Marco, with its famed domes, and the towering Campanile. Canaletto's mastery in perspective is on full display, drawing the viewer's eye deep into the scene, where the grandeur of the architecture is matched by the detailed depiction of everyday life in Venice. The Procuratie Vecchie and Nuove, long arcaded buildings lining the square, enclose the scene, contributing to the depth and structure of the composition.Canaletto's meticulous attention to detail extends to the depiction of people in the square—merchants, townspeople, and aristocrats mix, showcasing a dynamic social tableau. Their varied poses and interactions convey a lively atmosphere, reflective of Venice's status as a vibrant hub of commerce and culture during the 18th century.

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Canaletto
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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.

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