The Fireplace (1901)

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

Édouard Vuillard's painting, "The Fireplace" from 1901, presents a cozy and intimate domestic scene, emblematic of the artist's fondness for capturing the quiet corners of everyday life. The work features a warmly lit fireplace at the heart of the composition, where the flames flicker and cast a gentle glow that illuminates the surrounding room. Bold, textured brushstrokes convey the soft, heavy fabric of a large rug spread before the hearth, suggesting comfort and warmth.Above the mantle, an assortment of objects is displayed; these include what appear to be small figurines and a collection of bottles, possibly containing perfumes or medicines, each rendered with Vuillard's characteristic attention to detail and texture. The walls and mantlepiece bear subdued tones of browns and grays, with hints of gold and muted green, creating a harmonious palette that complements the overall theme of warmth and privacy.This painting invites viewers into a personal space, possibly Vuillard's own, reflecting the tranquility and solace found in one's secluded surroundings.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.