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Mme Gillou Chez Elle (L’accord Parfait) (1932-33) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS
Mme Gillou Chez Elle (L’accord Parfait) (1932-33) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS

Mme Gillou Chez Elle (L’accord Parfait) (1932-33)

Édouard Vuillard
Technique: Giclée quality print
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by Édouard Vuillard (1932-33)Immerse yourself in the intimate ambiance of "Mme Gillou Chez Elle (L’accord Parfait)," a captivating painting by French artist Édouard Vuillard, created in the early 1930s. In this scene, Vuillard offers us a glimpse into a cozy, art-filled living room that exudes warmth and cultured elegance.The painting displays three figures: a woman and a man engaged in conversation, with another woman listening intently. The richness of the room is showcased through its dark, lush green walls and the numerous artworks that hang upon them, each frame catching the light and adding to the scholarly air of the room. Central to the composition is a warmly lit table with a red lampshade, which casts a soft, inviting glow and brings a sense of depth and focus to the scene.Vuillard's mastery of color and texture is evident in how he captures the materials of the room—from the delicate fringes of the lampshade to the plush fabrics of the occupants’ clothing. The intricate detail of the interior decor, including a mantelpiece adorned with various ornaments and a mirror reflecting the opulence around, enriches the narrative of a moment caught in time, defined by calm and refined discussion.

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Artist
Édouard Vuillard
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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.

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