Mariana (1880)

Technique: Giclée quality print
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More about this artwork

Sir John Lavery, a distinguished painter known for his contributions to the Impressionist movement, offers us a remarkable glimpse into delicate emotion through his 1880 artwork "Mariana". This painting captures the essence of introspective solitude, portraying a young woman lost in thought. The subject, Mariana, looks downwards with a gentle, contemplative expression, suggesting a moment of silent reverie or melancholic reflection.The artist employs a soft, yet rich palette to highlight the delicate features of Mariana's face and the subtle textures of her attire. Her hair, shaded in warm tones of auburn and gold, cascades elegantly down her neck, contrasting strikingly with the somber black of her dress. The dress itself is embellished with detailed buttons and a hint of a floral pattern on her shawl, adding a touch of complexity to the otherwise reserved color scheme.Lavery’s brushwork is meticulous, capturing the nuanced shifts in light and shadow across her features and clothing, lending a lifelike quality to the canvas. The background, executed in muted greens, serves as a tranquil backdrop that focuses the viewer's attention on Mariana herself."Mariana" exemplifies Lavery’s skill in portraying human emotion and character through portraiture.

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Sir John Lavery was an Irish painter best known for his portraits and wartime depictions.

John Lavery was born in inner North Belfast, baptised at St Patrick's Church, Belfast and, while still a child, moved to Scotland where he attended Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returned to Glasgow and was associated with the Glasgow School. William Burrell, a wealthy ship owner, was a faithful patron of Scottish artists including Joseph Crawhall II, with whom Lavery studied. In 1888 he was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition. This launched his career as a society painter and he moved to London soon after. In 1896, William Burrell commissioned Lavery to paint a portrait of his sister Mary Burrell.