A Lady in Brown (thought to be Margaret Edith Bannatyne Cobb) (1905)

Technique: Giclée quality print
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More about this artwork

Welcoming you to explore the rich emotional landscape of Sir John Lavery’s portrait "A Lady in Brown," believed to depict Margaret Edith Bannatyne Cobb. Through masterful brush strokes and a somber color palette, Lavery captures more than just the physical appearance of his subject; he delves into the subtle intricacies of her persona.The portrait showcases a woman dressed in a sophisticated ensemble dominated by shades of brown and muted green, her attire completed with a large, stylish hat that frames her thoughtful expression. Her gaze, slightly aloof yet piercing, connects directly with the viewer, inviting contemplation and speculation about her thoughts and background.Lavery's use of texture and light adds a tangible realism to the attire, highlighting the detailed work on the scarf and the soft fur of the coat, which provide a stark contrast to the smoothness of her face and the delicate fabrics beneath her outer garments.As you gaze upon "A Lady in Brown," take a moment to appreciate the complexity conveyed through Lavery’s skilled composition—the emotional depth, the elegance of the era, and the silent narrative of a woman whose story is quietly whispered through the artistry of her portrayal.

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Sir John Lavery was an Irish painter best known for his portraits and wartime depictions.

John Lavery was born in inner North Belfast, baptised at St Patrick's Church, Belfast and, while still a child, moved to Scotland where he attended Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returned to Glasgow and was associated with the Glasgow School. William Burrell, a wealthy ship owner, was a faithful patron of Scottish artists including Joseph Crawhall II, with whom Lavery studied. In 1888 he was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition. This launched his career as a society painter and he moved to London soon after. In 1896, William Burrell commissioned Lavery to paint a portrait of his sister Mary Burrell.