Edna May In The Belle Of New York (1907)

Technique: Giclée quality print
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More about this artwork

Dive into the enticing world of Edwardian theater with Sir John Lavery's captivating portrait, "Edna May in The Belle of New York" (1907). This remarkable painting captures the essence of Edna May, an American singer and actress famed for her charming performances during the Edwardian era.The artwork features May depicted in a moment of introspective stillness, her gaze lowered in a reflective pose. The rich, dark tones of the background contrast strikingly with the vibrant red of her hat, which lights up her softly lit face and brings a warm glow that invites the viewer to ponder her thoughts. Her attire, characterized by an elegant scarf and a detailed fur piece wrapped around her neck, exudes the luxury and sophisticated fashion of her time.Lavery’s masterful use of texture and color conveys not just the physical beauty of Edna May but also hints at her inner life and the transient nature of fame in the theatrical world. Each brushstroke builds a connection with the era’s aesthetic sensibilities and its celebrated figures.This painting does not merely portray a person; it encapsulates a piece of cultural history, serving both as a testament to Sir John Lavery's skill as a portrait artist and as a window into the glamorous world of early 20th-century theatre.

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Sir John Lavery was an Irish painter best known for his portraits and wartime depictions.

John Lavery was born in inner North Belfast, baptised at St Patrick's Church, Belfast and, while still a child, moved to Scotland where he attended Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returned to Glasgow and was associated with the Glasgow School. William Burrell, a wealthy ship owner, was a faithful patron of Scottish artists including Joseph Crawhall II, with whom Lavery studied. In 1888 he was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition. This launched his career as a society painter and he moved to London soon after. In 1896, William Burrell commissioned Lavery to paint a portrait of his sister Mary Burrell.