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The Lady in White, Viscountess Wimborne (1939) reproduction of painting by Sir John Lavery. ALL GICLEE PRINTS
The Lady in White, Viscountess Wimborne (1939) reproduction of painting by Sir John Lavery. ALL GICLEE PRINTS

The Lady in White, Viscountess Wimborne (1939)

Sir John Lavery
Technique: Giclée quality print
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Sir John Lavery’s captivating painting titled "The Lady in White, Viscountess Wimborne" (1939) presents the elegance and grace of its subject with exquisite skill. In this portrait, the Viscountess is depicted seated on a luxurious red and gold chair, her posture both relaxed and dignified. The flowing white gown she wears, adorned with a simple belt and accented with pearls around her neck, emphasizes her refined stature and the poise typical of Lavery’s subjects.The setting of the portrait adds to the sophisticated atmosphere. A rich, dark background contrasts sharply with the brightness of her dress and the vivid colors of the flowers prominently displayed on a table beside her. These flowers add a burst of life and color, reflecting the vitality of the lady herself. Her direct gaze invites viewers into her world, suggesting an openness and directness that is deeply engaging.This portrait not only captures the physical likeness of the Viscountess but also her inner character, making it a striking example of Lavery's skill in portraiture.

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Artist
Sir John Lavery
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Sir John Lavery was an Irish painter best known for his portraits and wartime depictions.

John Lavery was born in inner North Belfast, baptised at St Patrick's Church, Belfast and, while still a child, moved to Scotland where he attended Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returned to Glasgow and was associated with the Glasgow School. William Burrell, a wealthy ship owner, was a faithful patron of Scottish artists including Joseph Crawhall II, with whom Lavery studied. In 1888 he was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition. This launched his career as a society painter and he moved to London soon after. In 1896, William Burrell commissioned Lavery to paint a portrait of his sister Mary Burrell.

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