Cigarette Makers in Seville (1924)

Technique: Giclée quality print
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Sir John Lavery's painting, "Cigarette Makers in Seville," transports viewers to the early 20th century, offering a glimpse into the daily lives of working women in Spain. This 1924 artwork features a vibrant snapshot of activity within a cigarette factory, showcasing Lavery's mastery in capturing the subtleties of human engagements and varying textures of their surroundings.The painting positions us behind a female worker dressed in a striking blue shawl speckled with white dots, her hair adorned with a decorative comb. She is intently focused on her task, rolling cigarettes with deftness that speaks of routine expertise. Beside her, glimpses of other workers suggest a busy factory environment, yet the focus remains deeply personal, highlighting the individual concentration amidst communal labor.Lavery's use of color enchants the eye—the vivid blues and deep reds bringing warmth to the scene, while soft, natural light filter through, illuminating the workers and their crafted products. Brushstrokes are both fluid and precise, creating movement and texture that make the scene palpable.Through "Cigarette Makers in Seville," Sir John Lavery not only documents an economic activity but also honors the grace and perseverance of these working women, capturing a moment of quiet dignity in their everyday lives.

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Sir John Lavery was an Irish painter best known for his portraits and wartime depictions.

John Lavery was born in inner North Belfast, baptised at St Patrick's Church, Belfast and, while still a child, moved to Scotland where he attended Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returned to Glasgow and was associated with the Glasgow School. William Burrell, a wealthy ship owner, was a faithful patron of Scottish artists including Joseph Crawhall II, with whom Lavery studied. In 1888 he was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition. This launched his career as a society painter and he moved to London soon after. In 1896, William Burrell commissioned Lavery to paint a portrait of his sister Mary Burrell.