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Dog on a chair (1882) reproduction of painting by Sir John Lavery. ALL GICLEE PRINTS
Dog on a chair (1882) reproduction of painting by Sir John Lavery. ALL GICLEE PRINTS

Dog on a chair (1882)

Sir John Lavery
Technique: Giclée quality print
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In the captivating painting "Dog on a Chair" by Sir John Lavery, painted in 1882, art lovers are treated to a tender and intimate portrait of man’s best friend. The artwork features a lone Scottish Terrier, positioned comfortably yet alertly on what appears to be a rich, elegantly upholstered armchair. The chair, adorned in vibrant tones of red and gold, contrasts sumptuously against the dark, moody background, highlighting the dog as the central figure.The dog's fur is rendered in wispy, textured strokes of brown and black, giving a tactile sense of its rough, wiry coat. Its eyes, glistening with a sharp, perceptive gaze, meet the viewer’s, suggesting a moment of connection and understanding. The warm yet subdued lighting of the painting brings out the gentle contours of the dog's face, emphasizing its loyal and serene demeanor.Sir John Lavery, a renowned artist of his time, is celebrated for his ability to capture vivid realism mixed with a touch of genteel sentimentality. "Dog on a Chair" exemplifies Lavery’s skill in portraying domestic and everyday scenes with a profound sense of emotion and beauty.

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Artist
Sir John Lavery
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Sir John Lavery was an Irish painter best known for his portraits and wartime depictions.

John Lavery was born in inner North Belfast, baptised at St Patrick's Church, Belfast and, while still a child, moved to Scotland where he attended Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returned to Glasgow and was associated with the Glasgow School. William Burrell, a wealthy ship owner, was a faithful patron of Scottish artists including Joseph Crawhall II, with whom Lavery studied. In 1888 he was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition. This launched his career as a society painter and he moved to London soon after. In 1896, William Burrell commissioned Lavery to paint a portrait of his sister Mary Burrell.

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