Dodo Seated (1910)

Technique: Giclée quality print
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More about this artwork

"Dodo Seated" is a captivating drawing by the German expressionist artist Ernst Ludwig Kirchner, dated around 1910. This piece portrays a seated female figure, distinguished by Kirchner’s emblematic, expressive lines that define both the form and the emotive content of the image. The stark simplicity of the line work lends a sense of immediacy and intimacy, allowing the essence of the figure, known as Dodo, to emanate profoundly.The figure in the drawing is captured with bold, fluid lines that outline her body in a relaxed yet poised state, her right leg crossed over her left. This informal posture is complemented by a large, stylish hat which adds a fashionable dimension to her character. The emotional depth in Dodo’s face, though rendered simply, invites viewers to ponder her thoughts or mood, reflecting Kirchner’s interest in the psychological state of his subjects.Ernst Ludwig Kirchner's work is noted for its critical exploration of urban life and its inhabitants, and "Dodo Seated" is an exemplary showcase of his mastery in capturing the human form and its subtle, underlying psychological states with minimalistic yet powerful strokes. This piece belongs to a period where Kirchner was profoundly influenced by the dynamism of the modern city and the complex identities of those within it."Dodo Seated" provides a window into the early 20th-century avant-garde movement and remains a testament to Kirchner’s innovative approach to expressionist art.

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Ernst Ludwig Kirchner (1880–1938) was one of the most important German Expressionist painters. He was a co-founder of Die Brücke, a group of German expressionist artists formed in Dresden in 1905. Die Brücke and Kirchner took inspiration from Vincent Van Gogh and Edvard Munch, as well as African and Oceanic art. They used woodblock printing as a medium to showcase their signature style: flat, unrealistic images with vivid colors. The recurring themes in Kirchner's artworks included exotic cultures, faraway landscapes, self-portraits, dancers and Berlin street life. His paintings and prints effectively portrayed non-European cultures despite the fact that he never traveled outside of Europe.