Queen Jadwiga and Dymitr of Goraj (1882)

Technique: Giclée quality print
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More about this artwork

In the painting titled "Queen Jadwiga and Dymitr of Goraj" by Jan Matejko, created in 1882, we witness a poignant historical scene richly rendered in deep, emotional brushstrokes. The painting depicts a dramatic interaction involving Queen Jadwiga of Poland, who stands prominently at the right. She is dressed in regal attire, with the vibrancy of her garment accented in blues and reds, highlighting her stateliness and royal demeanor. The soft, luminous texture of her clothing contrasts sharply with her resolute expression and piercing gaze, which directs outwards, as though lost in heavy contemplation or caught in a moment of decision.Beside her, kneeling with a look of earnest desperation, is Dymitr of Goraj, his figure marked by a rugged appearance and clothing that suggests wear from travel or conflict. He reaches towards the queen, clasping a sword in one hand, possibly pleading for mercy or beseeching the queen for a favor or judgment. His upturned face and imploring eyes convey a depth of emotion and reliance upon the queen's mercy.In the background, various onlookers observe the scene unfolding. Their expressions range from concern to curiosity, adding layers of communal tension to the personal drama at the forefront. The setting is an interior, likely a chamber within a castle, hinted at by the ornately embellished door and stonework, adding a sense of historical and architectural authenticity to the scene.Matejko's masterful use of color and light not only highlights the central figures but also sets a stage that communicates the weight of historical decisions and their personal impacts. This painting not only captures a moment in Polish history but also Matejko's incredible ability to funnel grand historical themes into intimate, human dramas.

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Jan Alojzy Matejko was a Polish painter, a leading 19th-century exponent of history painting, known for depicting nodal events from Polish history. His works include large scale oil paintings such as Rejtan (1866), the Union of Lublin (1869), the Astronomer Copernicus, or Conversations with God (1873), or the Battle of Grunwald (1878). He was the author of numerous portraits, a gallery of Polish monarchs in book form, and murals in St. Mary's Basilica, Kraków. He is considered by many as the most celebrated Polish painter, and sometimes as the "national painter" of Poland.