After the Funfair (1924)

Technique: Giclée quality print
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More about this artwork

This captivating painting, "After the Funfair" by Alfred Ost, portrays a scene marked by the striking aftermath of a fair. The image features a somewhat chaotic setting with dismantled or partially dismantled fair rides and stalls under a dramatic, swirling sky that almost mimics the dispersing energy of a recently bustling event. Noticeable are figures, possibly fair workers, engaged in disassembling the equipment, managing pack animals, and handling ropes and gears, suggesting the heavy work involved in breaking down the attractions.The vibrant touches of red on the rides and equipment contrast starkly against the predominantly dark and muted tones, lending a poignant vibrancy to the scene. These red highlights effectively draw the viewer's eye across the painting, creating a sense of lingering festivity amidst the breakdown process.Ost's use of sweeping brush strokes and a somber palette evokes a mood of transient joy, capturing the melancholy yet inevitable ending of festive moments. The workers and animals are depicted in a dynamic, almost hurried state, reflecting the urgency and labor involved in the transition from celebration to closure.This artwork can be seen as a metaphorical reflection on the ephemeral nature of joy and the necessity of moving past moments of celebration to embrace the routine and effort of everyday life. Ost masterfully balances elements of movement and stasis, vividness and dullness, crafting a scene that is both a literal depiction and a deeper, reflective narrative.

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Alfred Ost was a renowned Belgian painter. In 1920, he garnered a bronze medal in the art competition at the Olympic Games for his exquisite painting titled "The Footballer" (Joueur de Football). Interestingly, that was the year when the Olympic Games expanded to include categories such as painting, architecture, literature, music, and sculpture.

During the challenging times of the Second World War, Alfred faced immense hardships, even running out of essential supplies like food. However, he managed to sustain himself through the help of Jesuit priests from the Xavier College in Antwerp. This help was in return for the religious artwork he contributed.

The Jesuits admired his artwork and provided him the opportunity to create murals across their school. These masterpieces illustrated the life of Francis Xavier, the patron saint of the Jesuit order and the eponymous college. Owing to a wartime scarcity of paints, Alfred resourcefully employed charcoal and charcoal sticks for his work. Later, these murals were preserved with a protective layer, and they continue to be among the school's most treasured possessions to this day.