Pegasus (1931)

Technique: Giclée quality print
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More about this artwork

This dynamic painting, "Pegasus" by Alfred Ost, created in 1931, is a captivating representation of the mythical winged horse, Pegasus. The artwork features an energetic and almost tumultuous portrayal of Pegasus in motion. The horse's body is dramatically contorted, captured in mid-gallop with its wings powerfully splayed out. The artist uses a fluid, expressive line style that infuses the scene with a sense of urgency and movement.The brushwork is loose and sketchy, utilizing a monochrome palette that emphasizes motion over detail, giving the painting a wild, almost storm-like quality. Dark, heavy strokes define the wings and the muscular build of the horse, while lighter, more frenetic lines illustrate the windswept background and the fury beneath the hooves.Ost’s use of swirling lines and contrasting shades creates a swirling effect around Pegasus, mimicking the chaos of wind and clouds as the mythical creature battles against unseen forces. This illustration not only captures the physical beauty and strength of Pegasus but also imbues the creature with a sense of mythical power and otherworldly grace. The expression on Pegasus's face conveys determination and vigorous energy, adding to the overall intensity and mystique of the painting.The artwork is a striking example of Alfred Ost’s skill in capturing motion and emotion, effectively conveying both the beauty of the mythical creature and the dramatic force of its legendary capabilities.

Delivery

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Returns

Yes, reproductions can be returned.

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Alfred Ost was a renowned Belgian painter. In 1920, he garnered a bronze medal in the art competition at the Olympic Games for his exquisite painting titled "The Footballer" (Joueur de Football). Interestingly, that was the year when the Olympic Games expanded to include categories such as painting, architecture, literature, music, and sculpture.

During the challenging times of the Second World War, Alfred faced immense hardships, even running out of essential supplies like food. However, he managed to sustain himself through the help of Jesuit priests from the Xavier College in Antwerp. This help was in return for the religious artwork he contributed.

The Jesuits admired his artwork and provided him the opportunity to create murals across their school. These masterpieces illustrated the life of Francis Xavier, the patron saint of the Jesuit order and the eponymous college. Owing to a wartime scarcity of paints, Alfred resourcefully employed charcoal and charcoal sticks for his work. Later, these murals were preserved with a protective layer, and they continue to be among the school's most treasured possessions to this day.