Alva (1924)

Technique: Giclée quality print
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More about this artwork

"Alva" (1924) by Alfred Ost is a vibrant and dynamic Expressionist painting that vividly captures the power and motion of a scene featuring a horse and rider. Ost's use of bold, swirling colors and vigorous brush strokes invests the painting with a sense of intense energy and movement. The brushwork and coloration create a somewhat turbulent atmosphere, potentially reflecting the emotional state of the rider or the physical energy of the horse.In the imagery, the horse, depicted in shades of gray and black, appears muscular and powerful, its body positioned in a dramatic, almost rearing pose. The rider is cloaked and somewhat obscured, adding a mysterious or impersonal quality to the human figure, focusing attention more on the form and movement rather than the individual personality.The background and the ground seem to swirl around the horse and rider, with fiery oranges and deep blues, enhancing the feeling of motion and perhaps turmoil. There's a sense of forward momentum or struggle conveyed by the way the figures are portrayed against these energetic strokes.Overall, Alfred Ost’s "Alva" is a compelling piece that captures the essence of Expressionism, emphasizing emotion and expressive potential over realistic depiction. This painting could be interpreted in various ways, ranging from a representation of a personal or historical struggle to a more abstract expression of energy and change.

Delivery

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Alfred Ost was a renowned Belgian painter. In 1920, he garnered a bronze medal in the art competition at the Olympic Games for his exquisite painting titled "The Footballer" (Joueur de Football). Interestingly, that was the year when the Olympic Games expanded to include categories such as painting, architecture, literature, music, and sculpture.

During the challenging times of the Second World War, Alfred faced immense hardships, even running out of essential supplies like food. However, he managed to sustain himself through the help of Jesuit priests from the Xavier College in Antwerp. This help was in return for the religious artwork he contributed.

The Jesuits admired his artwork and provided him the opportunity to create murals across their school. These masterpieces illustrated the life of Francis Xavier, the patron saint of the Jesuit order and the eponymous college. Owing to a wartime scarcity of paints, Alfred resourcefully employed charcoal and charcoal sticks for his work. Later, these murals were preserved with a protective layer, and they continue to be among the school's most treasured possessions to this day.