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Maternal Caress reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
Maternal Caress reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Maternal Caress

Mary Cassatt
Technique: Giclée quality print
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"Maternal Caress" by Mary Cassatt is a warm and tender depiction of a mother and child. In this image, a mother is holding her young child close to her chest, conveying a strong sense of care and affection. The child, nestled snugly against his mother, seems to be embracing her lovingly. The mother, in a patterned gown, gazes down at her child with a look of gentle affection and powerful emotional connection.The color palette Cassatt uses is soft and harmonious, accentuating the intimacy of the scene. The background is minimal, focusing the viewer’s attention on the interaction between the mother and child. The use of light and shade in the painting adds a delicate texture to their clothing and highlights the contours of their embrace.Mary Cassatt, known for her paintings and prints of the social and private lives of women, emphasizes the bond between mother and child, a frequent and cherished theme in her work. This artwork not only captures a moment of maternal love but also the universal sense of tenderness and protection that exists in this relationship.

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Yes, reproductions can be returned.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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