Madonna

Technique: Giclée quality print
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More about this artwork

This painting is a beautiful piece by Albrecht Dürer, titled "Madonna," which portrays the Virgin Mary holding the infant Jesus. In classic representations, Mary, often depicted as the Madonna, is shown as a nurturing and protective figure, embodying maternal grace and divinity. In Dürer's interpretation, we see a delicate and touching interaction between mother and child.Mary is dressed richly, wearing a crown and a finely textured gown that hints at her royal status as the Queen of Heaven. Her halo and the golden, flowing background amplify the sacredness of the scene, elevating her beyond a mere earthly presence. The infant Jesus, held lovingly in her arms, reaches up towards her, emphasizing the close bond between mother and son. This intimacy conveys the humanity of these religious figures, making them accessible and relatable to the viewer.The use of gold and intricate patterns in the background is typical of religious art of the period, designed to glorify the figures and underline the celestial setting. Dürer's skillful use of color, texture, and composition here creates a powerful spiritual narrative that engages viewers, drawing them into this moment of divine and maternal affection.

Delivery

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Yes, reproductions can be returned.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Christian paintings, woodcuts and landscapes by the German Renaissance master Albrecht Dürer (1471-1528). Dürer's pieces on Christian themes and allegory are considered to be the finest examples of the Northern Renaissance. One of Dürer's most famous works on Christ is his "Crucifixion" woodcut (1503). The piece demonstrates Dürer's mastery of the medium and deep understanding of Christian symbolism. The work depicts the crucifixion of Christ in a powerful and realistic manner, with an emphasis on the suffering and sacrifice of Christ. Dürer began his career as an apprentice in Nuremberg to the master craftsman Michael Wolgemut. He later became the founding member of the city's painters' guild and was an active member of humanist circles prominent in Nuremberg at the time.