The Doge’s Palace, the Piazzetta and the Biblioteca in Venice, with Santa Maria della Salute beyond (1865)
Technique: Giclée quality print
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Luigi Querena's 1865 painting, "The Doge’s Palace, the Piazzetta and the Biblioteca in Venice, with Santa Maria della Salute beyond", offers a breathtaking glimpse into the historical and cultural edifices that define Venice. The painting captures the essence of Venetian architecture and the vibrant daily life during the 19th century, showcasing Querena's intricate attention to detail and masterful use of light and color.In the foreground, the bustling Piazzetta is brought to life through groups of people who are engaged in various activities, ranging from casual conversations to the goings-on of daily commerce, hinting at the vibrant social life of Venice. The meticulous depiction of these figures reflects both the attire of the period and the social interactions typical of the time, providing viewers with a lively scene that teems with authenticity.Dominating the background, the majestic Doge's Palace stands with its distinctive Gothic architecture, representing the political and historical power of Venice. Adjacent to it is the Biblioteca Marciana, renowned for its Renaissance architecture and one of the most important libraries in Italy. The elegant façade of the library, adorned with classical statues and arches, compliments the opulent style of the Doge’s Palace.Beyond the architectural marvels of the square and at a distance, the painting gently guides the eye to the basilica of Santa Maria della Salute. Situated across the Grand Canal, this iconic church forms a serene backdrop, its grand dome and elegant structure adding a touch of tranquility against the lively square.
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Luigi Querena was an Italian painter.
He was born in Venice. Following in the footsteps of his father Lattanzio, a painter of historical and religious works, Luigi enrolled at the Venice Academy of Fine Arts at the age of 12 years. He studied under Federico Moja and distinguished himself as a vedute painter. The contemporary art critic Sagredo said that Luigi was reviving Canaletto.