The Glorification of the Royal Hungarian Saints (ca. 1772–73)

Technique: Giclée quality print
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More about this artwork

Franz Anton Maulbertsch's mesmerizing painting, "The Glorification of the Royal Hungarian Saints" (circa 1772-1773), invites viewers into a dynamic celestial scene brimming with motion, emotion, and drama. As one of the masterpieces of the Rococo period, Maulbertsch captures the essence of divine intervention through his adroit use of light and shadow, weaving together a tapestry that both glorifies and humanizes the saints of Hungary.In this grand composition, well-known Hungarian saints ascend towards the heavens, surrounded by angels and ethereal figures. The use of a soft, yet vibrant color palette emphasizes the transcendental experience, with divine light seeming to radiate from the upper center, drawing the eye to this focal point. This luminescence showcases Maulbertsch's skill in highlighting the ethereal nature of his subjects.Maulbertsch illustrates the saints in various states of ascent, some reaching upwards, others looking towards the divine light with expressions of awe and reverence. The dramatic positioning of the figures, along with the playful and vigorous flow of the angels darting through the clouds, adds a sense of movement that is both chaotic and harmonious.The energy of the painting is palpable, with every brushstroke contributing to a sense of divine whirlwind. Historical figures are rendered with an intensity that speaks to their sanctity but also their humanity, connecting viewers with the historic depth of religious belief in Hungary."The Glorification of the Royal Hungarian Saints" not only serves as a religious and historical document but also as an exhibition of Maulbertsch’s mastery in portraying the sublime.

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Franz Anton Maulbertsch (June 7 , 1724 - August 8 , 1796 ) was, alongside Martin Johann Schmidt , the most outstanding painter of the Austrian late Baroque . His expressive art initially broke with tradition, ultimately culminating in classicism and completing Austrian Baroque painting in an idiosyncratic and independent way.