Two Women at a Window (c. 1655-1660)
Technique: Giclée quality print
Recommended by our customers
More about this artwork
Bartolomé Estebán Murillo's painting titled "Two Women at a Window," painted around 1655 to 1660, offers a fascinating glimpse into the Baroque period through its intimate portrayal of human relations and emotions. This artwork highlights Murillo's mastery in capturing the essence of daily life and human character through his nuanced painting style.The painting features two figures, a younger woman and an older woman, each displaying contrasting expressions and attitudes. The young woman, positioned in the foreground, leans on the windowsill with her chin resting on her hand, gazing directly at the viewer with an inviting and playful smile. Her open demeanor and direct eye contact suggest a sense of immediacy and connection, characteristic of Murillo's genre scenes that often included engaging and lively subjects.In contrast, the older woman, partially concealed behind the window frame, holds a finger to her lips, signaling quiet or secrecy. Her coy gesture and half-smiling face peeking from behind the curtain add a layer of mystery and depth to the composition, contrasting with the openness of the younger woman.Murillo's technique of using soft lighting accentuates the textural contrasts and the lifelike appearance of the subjects. The dark, muted background serves to focus the viewer’s attention on the vibrant figures, emphasizing their facial expressions and the details of their attire. The inclusion of simple yet effective elements, such as the white shawl and the younger woman’s flower-adorned hair, enhances the authenticity and relatability of the scene.
Delivery
Returns
Bartolomé Esteban Murillo (December 1617, January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them.