Sucking the good out of them (1910)

Technique: Giclée quality print
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More about this artwork

Udo Keppler, a noted artist and cartoonist of the early 20th century, often used vivid imagery to comment on political and social issues of his time. In his striking painting titled "Sucking the Good out of Them," Keppler employs a rich allegory to critique political corruption or possibly the exploitation of well-meant reforms.The central figure in the artwork is a large hen, exaggeratedly plump, who sits cozily on a nest. However, this is no ordinary hen—the creature's body seamlessly morphs into the face of a man, depicted with an expression of smug satisfaction. This amalgamation of human and animal form is a typical feature in caricature and serves to instantly convey the unnaturalness and ridicule of the subject.Beneath the hen, instead of typical eggs, there are eggs labeled with the words "Reform Measures," suggesting these are the offspring or products supposed to bring about positive change. Yet, surrounding the hen, we see several small figures of men, likely politicians or businessmen, literally sucking the substance from these 'reform' eggs. Their actions and eager expressions suggest a leaching of the potential good, a diversion of reformative measures for personal or corporate gain rather than public benefit.Adding a layer of depth, the setting in a nest among the straw can symbolize comfort and nurturing—the intended role of reforms—turned into a site of exploitation by those entrusted with their care.Through "Sucking the Good out of Them," Keppler not only showcases his distinctive style but also delivers a poignant critique on societal issues, wrapped in a visually engaging and thought-provoking composition.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.