Quasimodo (c. 1875–80)

Technique: Giclée quality print
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More about this artwork

Welcome to our online gallery! Today, we feature a captivating work by the French symbolist artist Odilon Redon, titled "Quasimodo" (circa 1875–80). This haunting and evocative charcoal drawing explores the figure of Quasimodo, the famous protagonist from Victor Hugo's novel, "The Hunchback of Notre-Dame."In this work, Redon employs a dark, almost monochromatic palette, imbued with deep blacks and subtle shades of gray, creating a somber mood that perfectly captures the tragic essence of Quasimodo. The character's face is the central element of the composition, portrayed in a striking, expressive style. Redon’s Quasimodo is depicted with exaggerated features that emphasize his melancholic and grotesque appearance, reflecting the emotional and physical pain of his existence.One can admire how Redon's use of shadow and light not only highlights the emotional depth and the textured surface of Quasimodo's face, but also how it serves to isolate him from the surroundings, illustrating his poignant solitude. To the left behind him, the faint outline of a gothic arch subtly references the Notre-Dame Cathedral, tying the character back to his narrative origin."Quasimodo" is a masterful expression of symbolism, where Redon transcends mere visual depiction to probe the themes of isolation, suffering, and ostracization in an intensely personal manner. This artwork invites viewers not only to witness a visual representation but to feel the profound emotional resonance of Quasimodo’s tragic story.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.