Head Of A Woman, Femina (1922)

Technique: Giclée quality print
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"Head Of A Woman, Femina" (1922) by Alexej von Jawlensky is an evocative portrait that exemplifies the transition into abstract modernism, while retaining the essence of the human spirit. In this painting, we see von Jawlensky’s bold departure from traditional representation, manifesting a striking exploration of color and form.The face of the woman is rendered through a palette of vibrant colors against a muted background, distinguishing the contours and features through stark contrasts rather than detailed realism. The use of asymmetrical, almost geometric sections of colors—notably greens, blues, reds, and yellows—lends the painting an almost mask-like quality, echoing the spiritual depth and introspection characteristic of von Jawlensky's later works.Eyes rendered in somber hues peer out beneath arched, colorful brows, creating a focal point amidst the abstract shapes. The lips stand out with a bold swath of red, highlighting the expression of quiet resilience and perhaps contemplation. The harmonious clash of colors not only beautifies but also revitalized the essence of the depicted subject, moving beyond the apparent to touch on the deeper, universal sentiments of humanity."Head Of A Woman, Femina" speaks volumes of von Jawlensky’s artistic quest for expressing internal realities and the soul’s resonance through the simple yet profound language of abstract forms and intense colors.

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Alexej Georgewitsch von Jawlensky (13 March 1864 – 15 March 1941) was a Russian expressionist painter active in Germany. He was a key member of the New Munich Artist's Association (Neue Künstlervereinigung München), Der Blaue Reiter (The Blue Rider) group and later the Die Blaue Vier (The Blue Four).