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Ophelia with a Blue Wimple in the Water (1900 - 1905) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Ophelia with a Blue Wimple in the Water (1900 - 1905)

Odilon Redon
Technique: Giclée quality print
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Odilon Redon's "Ophelia with a Blue Wimple in the Water" (1900-1905) offers a poignant and ethereal representation of Shakespeare's tragic heroine. In this artwork, Redon's mastery of dream-like atmospheres and symbolist imagery captures Ophelia's emotional and spiritual descent. The painting features a muted, almost otherworldly landscape, where Ophelia is seen floating in the water, her form softly blurred and intertwined with the natural surroundings.The central figure, swathed in a luminous blue wimple, contrasts strikingly against the warm hues of her skin and the subdued tones of the background. The blue wimple, almost glowing, draws the viewer’s eye directly to Ophelia, manifesting her as both a spectral and serene presence. Surrounding her are delicate patches of color and shadow, suggesting the presence of flowers and foliage, elements often associated with Ophelia in both literature and art.Redon’s use of soft, swirling brushstrokes enhances the fluidity of the scene, mirroring the water's gentle embrace of Ophelia. The blending of colors and forms creates an impression of movement and transformation, symbolizing Ophelia's transcendence from a state of suffering to one of eternal peace.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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