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Pivoine, géranium et lilas reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Pivoine, géranium et lilas

Odilon Redon
Technique: Giclée quality print
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"Pivoine, géranium et lilas" is a captivating still life painting by French artist Odilon Redon, whose work transcends the traditional boundaries of artistic expression with its vibrant colors and dreamlike quality. This particular painting beautifully showcases Redon's fascination with nature and his exceptional ability to bring floral compositions to life on canvas.The painting features a lush arrangement of flowers in a richly hued vase, illustrating Redon's keen eye for color and detail. Dominating the scene is a large, pale peony, whose subtle shades of pink and white offer a stark contrast to the bold reds of the geraniums. Sprinkled throughout are delicate lilacs and hints of yellow flowers, adding depth and diversity to the composition. Each flower is rendered with a soft, almost ethereal touch, typical of Redon's later works in oil.This work not only highlights Redon’s mastery of color and form but also evokes a sense of serene beauty and tranquility. It is a splendid example of how art can capture the ephemeral beauty of nature, inviting viewers to pause and admire the simple elegance of a floral bouquet.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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