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Tête De Christ (1895) reproduction of painting by Odilon Redon. ALL GICLEE PRINTS

Tête De Christ (1895)

Odilon Redon
Technique: Giclée quality print
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Odilon Redon, a prominent figure in the Symbolist movement, delves into mystical and metaphysical themes in his work "Tête De Christ". Created in 1895, this masterpiece transcends traditional religious iconography, presenting a profound and spiritual interpretation of Christ.The painting features the face of Christ surrounded by a halo of light, subtly hinting at divinity and suffering simultaneously. Redon's use of soft, ethereal color gradients in the background envelops Christ's visage in an otherworldly aura, while somber greens and blues suggest depth and mystery in the shadows framing the central figure. The halo, punctuated by more intense colors, creates a stark contrast with the muted tones of Christ's face, emphasizing a sense of solemnity and reverence.Redon's distinctive approach to texture and form through pastel and other media offers a dream-like quality that draws the viewer into a contemplative state. The eyes of Christ are closed, perhaps in a moment of prayer or reflection, inviting those who gaze upon the painting to pause and reflect on the deeper spiritual truths it seeks to convey.

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Artist
Odilon Redon
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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.

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