Flowers Fall and the Head of a Python Appears (1896)

Technique: Giclée quality print
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More about this artwork

At first glance, Odilon Redon's 1896 etching "Flowers Fall and the Head of a Python Appears" captivates with its intriguing and mysterious composition. This striking piece, drawing heavily on symbolic and dream-like imagery, is characteristic of Redon's unique approach to art during the Symbolist movement.The artwork features a python's head emerging amidst what appears to be falling flowers or petals, rendered with a poignant contrast between light and dark shades. Redon's use of a dark, enveloping background enhances the sense of an unfolding scene caught between reality and fantasy. The textural details of the python’s scales and the delicate contours of the petals are etched with meticulous care, emphasizing the coexistence of beauty and threat.This powerful image might invite the viewer to ponder the juxtaposition of life's fragility with nature's latent power—a theme often revisited in Redon's work, where familiar forms blend with the fantastical. The python, possibly symbolizing hidden fears or underlying danger, contrasts sharply with the ephemeral, cascading petals that might denote purity and transience."Flowers Fall and the Head of a Python Appears" not only exemplifies Redon's masterful etching technique but also serves as a vivid tableau that challenges the viewer to explore the depths of their own psyche and the dualities that exist within the natural world.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.