In the nick of time (1894)

Technique: Giclée quality print
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"In the Nick of Time" is a vivid and engaging artwork by Udo Keppler that encapsulates a dramatic moment steeped in historical and political nuances. This 1894 painting is an incisive commentary on the tariff reforms of the era, which were a significant issue in American politics.The scene is set in a grand architectural space filled with intensity and action. The central figure, labeled "McKinley," represents President William McKinley, known for his support of protective tariffs. He is portrayed in a desperate struggle to hold up a crumbling structure labeled with various types of duties such as "Heavy Duty" and "Prohibitory Duty." These labels reflect the high tariffs imposed on imported goods, which were meant to protect domestic industries but often led to higher prices for consumers.Around him, other figures are seen contributing to the frenetic effort to prevent the structure from collapsing. These figures likely represent other politicians and stakeholders in the tariff debate. The tension in their faces and the dynamism of their movements underscore the urgency and gravity of the situation depicted.Scattered on the ground are blocks bearing names of various commodities like "coal," "wool," and "steel," symbolizing the wide-ranging impact of tariff policies. The woman reaching towards the light symbolizes hope and possibly the push for reform, aiming to alleviate the heavy burdens imposed by high tariffs.Overall, Keppler’s use of vivid imagery and dynamic composition in "In the Nick of Time" not only highlights the immediate consequences of economic policies but also invites viewers to reflect on broader political and economic implications.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.