I saw a flash of light, large and pale (1896)

Technique: Giclée quality print
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More about this artwork

Welcome to an enigmatic exploration of Odilon Redon’s 1896 lithograph "I saw a flash of light, large and pale." This artwork invites viewers into a mysterious and somewhat eerie scene.In the composition, we are presented with an interior space dominated by shadow and sparse illumination. The floors appear to be made of wooden planks, setting a stage that feels both grounded and historically situated. Towards the left, the walls are dark, barely touched by light, enhancing a sense of depth and confinement. The most intriguing feature of this lithograph is the arc-shaped tunnel or doorway, shrouded in a ghostly, ethereal light. This pale, luminous semi-circle seems to pulsate against the surrounding darkness, drawing the viewer’s eye towards it as a focal point.Redon’s mastery in handling light and dark plays a significant role in creating the atmospheric tension within the artwork. The contrast between the tangible darkness and the intangible light stimulates an intense emotional response, positioning the light as a metaphor for revelation, unknown realms, or internal awakening."I saw a flash of light, large and pale" remains evocative of Redon’s ability to delve into the depths of the human psyche and emotion, using visual elements to provoke contemplation about the seen and unseen, the known and the mysterious.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.