Composition à trois personnages

Technique: Giclée quality print
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More about this artwork

Dive into the mystical and enigmatic world portrayed in Odilon Redon's painting, "Composition à trois personnages." This captivating artwork beckons viewers to explore its rich layers of emotion and symbolism rendered through Redon's unique blend of shadow and light.The painting presents three figures, shrouded in a mysterious ambiance that is both solemn and contemplative. Dominated by murky tones and an almost dream-like atmosphere, it suggests a narrative steeped in symbolism rather than a depiction of reality. The central figure appears almost cruciform, adding a potent mix of spiritual or existential anguish to the piece. This figure, impressive in its sculptural form, contrasts with the more ethereal, ghostly figures that flank it, enhancing the painting’s otherworldly quality.Odilon Redon's mastery in handling both figurative and abstract elements invites interpretations that hover between the seen and the unseen, the real and the surreal. The shadowy palette and diffuse light create a visual poem of sorts, where each element melds subtly into the other, leaving the viewer in a state of contemplation."Composition à trois personnages" is not just an artwork; it is a journey into the depths of human emotion and the darker corners of the psyche. This painting, while possibly exploring themes of existential strife and redemption, challenges the viewer to personal interpretation, making each encounter with it a unique experience.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.