Bouquet of Flowers (ca. 1900–1905)

Technique: Giclée quality print
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More about this artwork

This enchanting artwork, "Bouquet of Flowers" created by Odilon Redon around 1900-1905, captures the ethereal beauty of a floral arrangement with an almost dream-like quality. Redon, known for his unique blend of symbolism and post-impressionism, brings a vivid interplay of color and form to life in this striking composition.The painting showcases a variety of flowers, each rendered with a soft yet dynamic touch, nestled in a textured blue vase. The blossoms, which range from deep blues and purples to vibrant reds and delicate whites, seem to burst forth in an exuberant display of nature’s diversity. The background, a muted brown, serves as a stark contrast that enhances the richness and luminosity of the floral hues.Redon’s use of pastel on paper adds a soft, almost tactile quality to the work, inviting viewers to lose themselves in the gentle swirls of color. The dreamy atmosphere of the painting is palpable, reflecting the artist's interest in the mystical and the subconscious."Bouquet of Flowers" is more than just a representation of natural beauty; it is a reflection of Redon’s inner world, a serene composition that resonates with emotion and imagination. This piece is a testament to the artist’s mastery in conveying a sense of wonder and enchantment through the simple subject of a floral bouquet.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.