The vague glimmer of a head suspended in space (1891)

Technique: Giclée quality print
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Odilon Redon's "The vague glimmer of a head suspended in space" (1891) is a compelling work that exemplifies the artist's profound exploration of the psychological and symbolic realms. In this lithograph, viewers encounter a solitary head framed within a luminous aura, suspended in a boundless, murky expanse. This portrayal is not merely a visual study; it is an incursion into the enigmatic and often nocturnal corners of the human psyche.Redon's unique ability to blend darkness with a shimmering light enhances the mystical quality of the scene. The illustrious glow surrounding the head contrasts starkly with the surrounding darkness, suggesting themes of enlightenment, isolation, and perhaps the transcendence of the human soul or mind. Below the floating head, the textured landscape adds a sense of depth and tangible reality to the otherwise ethereal and abstract composition, grounding the ethereal element in a physical realm that seems desolate and rugged.This painting invites the viewer to ponder the coexistence of light and darkness within themselves and the universe. Redon, through his masterful use of chiaroscuro and symbolic imagery, beckons us to reflect on the fragile and fleeting moments of clarity that stand out against the complex backdrop of human experience.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.