The big ones go to Jersey — why can’t the little ones (1906)

In this captivating cartoon by Udo Keppler, we find a satirical commentary on the socio-economic disparities of the early 20th century. The artwork, brimming with vivid colors and expressive characters, portrays a bustling scene at the waterfront, with the skyline of Manhattan serving as a stark backdrop.The title "The big ones go to Jersey — why can’t the little ones" hints at the inequality and privilege enjoyed by the wealthy classes compared to the struggles of the less fortunate. In the painting, a diverse crowd gathers by a ferry or transit point, appearing eager or distressed about their journey. What stands out are the caricatured figures, each labeled with tags such as "Card Sharper," "Safe Cracker," and "Big Business," suggesting corruption and deceit among the seemingly higher echelons of society.The ferry dock, labeled “Anything Incorporated, No Questions Asked,” further emphasizes the theme of unchecked power and the ease with which the influential individuals maneuver, juxtaposed with the chaotic and crowded plight of the common people. Symbolically, this could represent the migration or movement of shady characters from New York to New Jersey, escaping scrutiny or seeking new grounds, hence asking rhetorically why only the 'big' ones have the freedom to move so effortlessly.Through Keppler's piece, viewers are invited to reflect on the ongoing issues of social justice, economic inequality, and systemic corruption.