A second Yorktown (1914)

Technique: Giclée quality print
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Venture into the historical yet satirical world created by Udo Keppler in his 1914 painting, "A Second Yorktown." This vibrant and evocative piece presents a fascinating allegory set during the Revolutionary War era, where modern economic concerns collide with historical iconography.In the forefront of this dramatic scene, British soldiers clad in traditional red uniforms find themselves not fighting against armed foes, but rather struggling under the weight of banners labeled with various economic terms such as "Railroad Rule," "Tariff Monopoly," "Lobbyism," "Banking Trusts," and "Food Adulteration." These banners symbolically entangle the soldiers, representing the monopolistic and exploitative practices prevalent during the early 20th century in America.Opposing the beleaguered British, a group of triumphant American revolutionary figures stand confidently. These characters, cloaked in blue uniforms reminiscent of the Continental Army, hold objects that signify political intelligence, opposition to corruption, and support for fair trade and regulation. Among them, a Native American figure, symbolizing the original spirit and resilience of the American land and people, complements the group.The background subtly transitions from a battlefield to a peaceful landscape, possibly symbolizing the potential for prosperity and justice in a society free from monopolistic control.Udo Keppler, known for his political commentary through art, masterfully blends historical reference with contemporary social critique in "A Second Yorktown." This painting invites viewers to reflect on the ongoing struggles against economic injustices and the power of unified, principled opposition in shaping a fair society. Its relevance persists, encouraging modern audiences to consider the effects of economic power on governance and individual liberties.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.