Christ and the Samaritan Woman (The White Flower Bouquet) (ca. 1895)

Technique: Giclée quality print
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Odilon Redon's sublime work, "Christ and the Samaritan Woman (The White Flower Bouquet)" circa 1895, masterfully merges symbolism and mystique with vibrant expressionism. This painting captures a spiritually profound moment between Christ and the Samaritan woman at the well, a story famously recounted in the Bible. The artwork is a delicate play of colors and forms, reflecting the dreamlike and sometimes haunting quality of Redon’s style.The background hints at a dusky, surreal landscape, swirling in rich tones of orange and red, while a serene sky stretches above, adding a sense of calm and infinity. The figures of Christ and the Samaritan woman are portrayed with a gentle finesse. Christ is depicted slightly faded into the background, symbolizing perhaps his spiritual nature, holding a bouquet of white flowers. These flowers, often associated with purity and redemption, might represent the new life offered through spiritual awakening.The Samaritan woman, rendered with more defined features and darker tones, sharply contrasts with Christ, drawing attention to her earthly and human essence. Her contemplation and the interaction with Christ suggest a moment of deep revelation and transformation. The vivid splash of pink and purple near her face could symbolize the blossoming of understanding and spiritual enlightenment.Overall, Redon’s painting is not merely a visual interpretation but an emotional and psychological exploration of divine interaction and human transformation.

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Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. 

During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Budhist religion and culture, which increasingly showed in his work.

He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.